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The Amiga Blitz Basic Game Jam has been helpful in growing the Amiga community and spreading awareness around programming languages like Blitz Basic and AmiBlitz to create games. It ran from June 1 to November 1 this year, and the showcase was massive.

If you're looking for a game where you shoot down planes, avoided being shot out of the sky, and do barrel rolls, then DarkGiver and his Blitz Basic Game Jam entry will be perfect for your daredevil taste. ACE Battle Over The Sea has some gameplay footage as we speak and is guaranteed to give that classic Capcom 1942' feel that a lot has been craving.

If you're unfamiliar, the game is simple-fly your plane over the sea and destroy all the other enemy planes that come your way. Now, while it seems easy, this can be a challenging game to play with waves of enemies, stage bosses, and bullets flying everywhere. Definitely a nice addition to the Commodore Amiga library and a must-have for bullet hell fanatics.

To all the fans of playing Sid Meier's Colonization, you're in for a treat. Theo Theoderich has a new game in development, and it has everything a colony and economy game-lover could ever want. Settle The World is currently in development for this year's Game Jam as a turn-based building and trading game.

Build settlements, build roads, establish trade relations with fellow players, and explore the map: You can even go to war Sweet. Just make sure that your citizens are satisfied, only then will you succeed in winning the game's next presidential elections. The goal of the game is to stay in power as long as possible. If you're interested, you'll need an Amiga computer with at least 2 MB RAM, a fast processor, and a hard disk with multiplayer in mind. So, keep your eyes peeled for updates!

The Commodore Amiga cyberpunk-like adventure game of NEONnoir by steamknight is here complete with all the neon and vaporwave you can handle. It's a hybrid point-in-click adventure and visual novel game for the Amiga 1200 and an official entry for the Amiga Blitz Basic game Jam.

When it comes to the game's development, steamknight says that the game was created over 5 months for the Amiga Blitz Basic Game Jam with the purpose of bringing a few faces into the community and helping share knowledge of Blitz basic programming. You'd be surprised to know that even steamknight had never heard of Blitz Basic before, but thanks to the community's support, he just had to give it a shot.

It's the longest he's ever worked on a game with the most complex story, something he's really proud of. As he should cuz it's a damn good-looking game. So if you're a fan of anything cyberpunk and can't get enough of visual novels, then you might wanna give good old steamknight some support and check NEONnoir.

Check out the video here: 

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Up for a musical ride? Hop in! For today, we're showcasing artists from both Soundcloud and YouTube who work in Deflemask!

Click on the pictures to hear the masterpieces they made!

Insect Level by Tobikomi

This fun piece was made for a game called Do the Same by Rico59. Do the same is a SEGA Master system-style puzzle game involving picture matching of many different types of objects. This particular song is for the insect-themed level, but there are others involving fruit, flowers, and more. The poppy melody is the perfect puzzle-solving motivation.

Network Transfer 2020 by subpxl

Subpxl has given us another amazing track with lots of nods to the series we all know and love. It includes inspiration from games like Megaman Battle Network, Megaman X five, Cross Code, Kuro no Kiseki, and Sora no Kiseki FC, among others. Their Genesis era tracks like this never disappoint.

Speed Demon - Michael Jackson by Diggo Silva 

This is a Deflemask cover and arrangement. It would absolutely be a great addition to any road trip playlist. And if a retro racing or GTA-esque game were to be made based on the music video, this cover would set the perfect mood.

Lordess of the Flies by RRThiel

Are you ready for another track from the new indie shoot 'em up Stellanova? Last month we got to hear a piece from Act 1-1, and this time it's the boss one. The funky beat on this is super hype and I honestly can't wait to see what the actual boss fight looks like when it finally comes out. Hopefully, we'll get a sneak peek when the first demo comes out soon, but in the meantime, you can throw this on repeat and dream of the possibility. 

Revenge of the Id by Flapsandwich

This next piece is for an upcoming indie game. The game is called Revenge of the Id and is made in the style of Commodore64, and the song is titled the same. It's a moody piece that sets a serious and determined tone, and it will be exciting to see how it integrates into the game once it's released.

Menu by TobiKomi

This piece is the menu theme of Do the Same by Rico59 and feels super nostalgic to the master system era. Put your thinking caps on because this song will have you ready for whatever fast-paced puzzles this game will throw at you.

Mystic Cave Zone from Sonic 2 by 4sythe

It wouldn't be a Deflemask showcase without at least one track from a Sonic game, right? This piece is an arrangement of Mystic Cave Zone from Sonic 2 and it pulls inspiration from Bobby Brown's "We are back", and the origins version of Mystic Cave Zone. Its super funky baseline creates a perfect vibe of adventure and exploration.

Android 808 by TobiKomi

This Jazzy Track was released for 808 day. 808 day is a celebration of the iconic Roland TR 808 drum machine, which is an instrument that was incredibly influential on modern contemporary music. TobiKomi has made a fantastic tribute piece that showcases it perfectly and is incredibly fun to listen to.

Death From Above by Legobuzz

This is an original piece that was made in Deflemask and styled after the battleship theme from Thunder Force IV. They wanted to create a greater sense of urgency while still maintaining the essence of the original and really hitting the mark during an intense space battle. This song will definitely have you on the edge of your seat.

Proto launch-based Zone from Sonic 3 by Cartoons Animate

It rounds out the sound of the piece quite nicely with the addition of some extra elements from the PC and the Origins versions as swell. It's upbeat and a really fun time if you're looking for a bit of sonic nostalgia.

And that's all we have for this month's showcase! If you enjoyed these artists, definitely go check them out and stay tuned for our next Deflemask Showcase!

Check out the video here with Mimi! 

Oh before you go, do you like chiptunes? Cats? Maybe Mimi or the Sega Genesis? Well, if you do, let's have a catjam together, and subscribe to us on YouTube!

Now, who doesn't love to chew gum? Here at Mega Cat Studios, we chew gum every chance we get. And we also had a chance to interview one of the developers of Garbage Pail Kids: Mad Mike and the Quest for Stale Gum, Tim Hartman, of Retrotainment Games, and here's how it went!

How was this game born?

The game was born out of our love for the Garbage Pail Kids and the Nintendo Entertainment System.

As young kids in the '80s, Greg and I grew up fans of trading cards and various products that emerged as the GPK craze broke out. Garbage Pail Kids were loved by kids, hated by adults, and snubbed by the gaming industry in the NES era. They were controversial, which may have kept them out of the space. We like to say that we're creating the Garbage Pail Kids game they've long deserved.

What was development like?

The design process for this game flowed very well as our team loved the opportunity to work with Topps to bring their characters to life and felt natural to do so. It was a real treat to get deeper into the GPK lore since many of us on our team are lifelong fans and collectors.

One of the main ideas was to bring as many GPK characters to life as possible; so we went through the cards, found ones we liked that we thought would work, and then brainstormed about what they could do in the game to make them unique and add variety. In the end, we were able to include 40+ characters.

Developing for the NES is nothing but difficult though. You have to deal with the challenge of game development along with hardware restrictions, space constraints, and more. But this is what we love and what GPK deserved so we wanted to make it happen.

What did you learn about yourself through this game?

Personally, I learned that it was very difficult to make the tough choices of which characters to use and which characters not to use in the game. There are so many amazing characters in the GPK universe and it was super tough to narrow it down.

What makes this game special?

It's a legit game made for the original NES and directly ported to modern consoles like Nintendo Switch, Xbox, and Playstation. You get the same game regardless of where you’re playing it.

Even though it is littered with GPK lore, characters, and fun, gross elements, it is however a game someone can pick up and play without being familiar with the Garbage Pail Kids. We designed it with the idea that every level has something new and surprising in it. It also has minigames, a trading-card mechanic, fun NPCs, and a silly story. Our audience is anyone who likes games. It's also cool to give people a chance to get their first new NES cart, which is something a lot of players have never experienced before.

How does sound play a role in the game?

A quirky and unique brand like Garbage Pail Kids deserves an equally goofy soundtrack that’s fun to listen to and a fun set of sound effects. Complete with burp and fart samples, the sound is definitely a highlight of the game.

What games influenced this one the most?

We started by making the game we wanted to play. It wasn't a case where we were looking at another game as a model or a direct inspiration.

Any fun stories or wild moments during development?

Getting to work with Adam F. Goldberg, Ira Friedman at Topps, iam8bit, Digital Eclipse, and Joe Simko was particularly fun, as we got to smash a ton of '80s nostalgia and love for the era into this goofy project.

The wildest moment for me personally was when I was having a meeting with Ira Friedman, and my son threw up during it. I quickly yelled out Up Chuck (a character in the game) while Ira assured me it was a Luke Puke.

I still laugh about this every time I think about it.

Do you think preserving older gameplay mechanics in new games is important?

Yes, but I think it is healthy to have both new and fresh mechanics whenever possible when developing. Old mechanics are tried and true, being very familiar to players, but taking a chance on fresh mechanics can really help create a new experience. For example, Leaky Lindsay and Luke Puke both have projectile attacks but Lindsay’s snot rockets are the classic straight-ahead shots while Luke’s projectile vomiting follows an arching path. This allows for some unique combat with Luke because you can hold B to get more distance, rain the attack down onto enemies below or leave a pile of puke in front of an enemy and wait for them to step in it and take damage.

What's your favorite memory as a gamer?

My favorite memory as a gamer is playing Baseball Stars for the NES with friends like my business partner Greg Caldwell. Creating our own leagues and teams, playing full seasons, keeping stats, throwing controllers, and getting into fights over gameplay is something I will cherish forever.

Who will enjoy this game the most?

Garbage Pail Kids: Mad Mike and the Quest for Stale Gum is for old kids like us and young kids like our children. We think the older crowd who grew up with the Garbage Pail Kids will have a great time with it. It's fun and silly and gross -- which makes it great for younger kids as well. Ultimately, it's for people who want to experience a retro game, whether this is their first time experiencing an 8-bit game or they've been playing NES since they bought one new.

Retro gamers will enjoy this the most, but I feel modern gamers who give it a chance will be quite surprised by the various hero characters and their unique offensive arsenals. Each of our hero characters has a unique strength that will help you tactically in the game if you pay attention.

Bottom Line, why must someone play this game?

You must play it to experience what people are calling "The Grossest Game of the Year.” And if you knew GPK from the ’80s, it’s a fun trip down memory lane.

How do you want this game to be remembered?

I'd like this game to be remembered as us giving the Garbage Pail Kids the 8-bit game they have always deserved. The brand was so iconic and important, so them not having a game back in the late '80s was a travesty.

What's next?

Right now we are continuing to market Garbage Pail Kids: Mad Mike and the Quest for Stale Gum and our other games, Haunted: Halloween '86, Haunted: Halloween '85, and our newest open-world, mystery-adventure called Full Quiet. In addition to creating our own IP, we’re also entertaining ideas to bring existing IP to life in retro form, especially for others who never got their moment in the 8-bit sun.

We love retro and remain committed to that space with whatever we do which includes the publishing venture 8-Bit Legit, consisting of Retrotainment Games and our partner Mega Cat Studios. In 8-Bit Legit, we take games from cartridge to console.

Anything else you'd like to add?

It's all about 8-bit. It's what we do at Retrotainment. The cartridge comes first. We also think it's cool to expand the NES catalog with games that have been passed over back in the day. Keep an eye out for what goofy game we can cook up next in our 8-bit laboratories. And as always, shout out to the NES homebrew community for making all this possible. We love being a part of such a vibrant, passionate, growing community!

Check out the launch trailer here!

Tim Hartman

Producer at Retrotainment Games

With just under 10 days to go, I'm eating breakfast in a red wig and riding my broomstick to the office in anticipation of the next installment of the Cotton series, Cotton Fantasy.

If you’re like me, you have an appreciation for well-crafted Japanese video games. So when I saw Cotton Fantasy coming to the Nintendo Switch, I was immediately intrigued, given the history of the franchise's retro roots. Well, it turned out to be everything I hoped it would be and more! Here’s why I love this game so much…

Overview

Obviously, the main character is Cotton. In addition to your standard shot and bomb, she has magical attacks that take up large chunks of the screen, showering her with point bonuses. When downed, certain enemies will drop a colored crystal which will give magic attacks depending on its color when picked up. Cotton's set-up, in addition to requiring speedy, reactionary play, also entails constantly flitting around the screen to juggle priorities.

Similar to success' delightful shooter series, Psyvariar, the player tackles this game with Ria and reaps no benefits from jewels, magical attacks, or endless showers of point items. In turn, as the bullet passes near you, your weapon levels up, and a shield is created for a brief period, in which you can use it to smash through bullet patterns or shoot enemies close up. Play through the game with Ria, and you'll need a totally different survival and scoring strategy.

Another popular one is Fine from Success' own obscure shooter, Sanvien, which has a time system to keep you constantly on the verge of death. Then there's Luffee, which manages to boil the game down to a much more traditional shooter. You will also find the game's final boss, the antagonist, who features a new play mechanic, such as throwable projectiles, found in classic R-Type.

If that wasn't enough variety, finishing the game with each character unlocks a fresh, console-exclusive level, depending on their abilities and themes, with every character we've defeated thus far. With Ria, for example, there is a horizontal Psyvariar, featuring enemies, patterns, and backdrops just like in the previous game. Additionally, the cotton onstage offers a modernized version of one of her past performances.

Difficulty Level

Cotton Rock 'n' Roll is high-octane and moody. Set in a cheerful gothic world, its main character, a witch, is trying to find out the secret behind the disappearance of Willow, the in-series equivalent of our world's magical candies. That sends her to a zone that exudes personality, where enemies continually fill the screen. Things move fast, and thanks to superb varieties of approaches to level design, you'll face all kinds of different challenges, from somewhat tight areas somewhat reminiscent of R-Type's core gameplay to battles with level-sized flying fortresses, as well as vertically scrolling horizontal sections and races tearing through ever-tightening gaps. Finish a shmup from start to finish and you'll experience the feast of an entirely different genre.

Graphics & Sound

And one of Cotton Rock 'n' Roll's strongest features is its level design. It is dynamic, detailed, and contains sweeping set-pieces and elegant shifts around the player characters. Polygonal visuals are used and can bring style and class to a game set in a 2D playfield. Mixed media stages can make you look twice at times, but Cotton Fantasy blends them nicely, and continues to be a treat for the eyes.  

With bosses full of character, they also have attacks with a variety of different effects, catering to every style of play. Playing at the default 'Normal' difficulty, the boss battles can feel short. In most cases, the second form isn't revealed until the very end when there's just a few seconds left. Turning the difficulty up remedies that, if you're up to the challenge.

Overall 

This release lives up to Cotton's usual high quality standards. Few shoot 'em ups have as many varieties in terms of how you can play, nor such a well-designed world as what Cotton does. No matter what type of game you like, Cotton Rock 'n' Roll will offer something to please you.

It should come as no surprise that Cotton Rock 'n' Roll Fantasy manages to pull off its total execution beautifully. Action sequences in the game are absolutely incredible, and the fun is easy to find.